In our How to Mix Music guide we talked about why mixing dynamic sounds is a tough egg to crack. Vocals are super dynamic so they’re trickier to mix.
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- I'm showing you guys 5 cool ways to use CLA Vocals and why should probably have this plugin already! Also, I got a LED ring light, I'm realizing lighting is.
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But you don’t have to pull your hair out every time you hit the mixing board to get the perfect vocal.
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There’s a dizzying amount of audio effects plugins out there. That’s why we did the digging so you don’t have to.
Here’s 9 plugins that will help you get your vocals and beats fitting together like peas and carrots.
1. Vladg and Tokyo Dawn Proximity
Ever recorded an entire vocal only to realize you had the mic in the wrong spot? No sweat.
The Vladg and Tokyo Dawn Proximity lets you change the mic placement AFTER you record. Pretty useful and pretty cool.
2. Acon Digital Multiply Chorus
Vocals need some color. That’s where a chorus plugin comes in.
Acon Digital’s Multiply Chorus will thicken up your sound. It’s a whole bunch of tiny delays (we’re talking milliseconds) that fill out your vocals to liven them up a bit.
3. Melda MAutoPitch Auto-Tune
Auto-tune’s origins are pretty strange. But there’s no denying that it’s an invaluable tool for producers dealing with vocals.
Auto-tune is the vocal mixer’s secret weapon. MAutoPitch is one of the best auto-tune plugins around. It fixes pitch, corrects sour notes, and even gives you that iconic T-pain/Cher effect if you want it.
This one comes in a free plugin bundle with all sorts of fun mixing toys.
4. Voxengo OldSkoolVerb
Reverb for vocals is essential. Reverb takes your vocals out of the room you recorded them in, and allows you to make your own sound space.
OldSkoolVerb has got you covered no matter what your needs are. From huge halls to a tiny closet, it gives you all the options to create the perfect sonic space in your mix.
5. Klanghelm DC1A
The DC1A is a nifty little character compressor by Klanghelm. It uses sophisticated compression settings and an easy 2 knob setup that has you covered “from smooth levelling to heavy pumping.”
Be sure to check out their absolutely EPIC demo video.
6. Alex Hilton A1 Trigger Gate
Cla Vocals Plugin Reddit
If you’re wondering how far you can push your vocal track this plugin will do a great job letting you know.
Using a step-style sequencer the A1 Trigger Gate packs in a boat load of cool effects. It’s good for all sorts of stuff. So grab it and start experimenting.
7. Glitch Machines Hysteresis
Just like any other part of a mix, vocals are a great place to experiment. The effects on Hysteresis definitely deliver a whole bundle of experimentation.
This delay plugin creates “robotic artifacts and abstract music malfunctions.” Count me in.
8. Acustica Ochre EQ
All good mixing needs a keen sense of EQ early on. Vocals are no exception.
That’s why the Ochre from Acustica is so useful. It’s perfect for sculpting out the best vocals you can.
9. Fine Cut Bodies La Petite Excite
Exciter plugins add subtle harmonics to your vocal track for some extra sonic-excitement in the high range.
The free La Petite Excite from Fine Cut Bodies (you just have to signup to get it) is a great plug to try out.
Throw it on your vocal and enhance it to your liking with some subtle harmonic distortion.
Go make that perfect vocal
Vocals are tricky to mix. But with these handy plugin tools it doesn’t have to be so tough. Grab ’em all, hit the studio and get cracking on that perfect vocal track.
And don’t forget to let us know your favourite plugins for mixing and mastering vocals. We wanna know all your tips and tricks too. :)
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As audio engineers we all have our favorite DAWs and our favorite plugins that we tend to use in every mix. The Waves CLA Vocals plugin makes my list of top favorites and is always in the running to be used in my mixes because of its simplicity of use, and the instant noticeable improvement as soon as you apply it to a channel. You can use it on the vocal channel itself, or on the vocal bus, or even in parallel if you like. These days I generally use it in parallel and feather in the effect to my overall vocal mix.
I’m really picky about what plugins I will bother to buy, since I don’t want to waste time and money on tons of plugins I will never use, or don’t use well. The basic requirements a plugin must meet for me to even bother adding it to my arsenal of audio tools are:
- Simple and intuitive to use
- Makes an instant noticeable improvement to the signal I am processing.
I don’t have time to fight with an interface, or struggle with plugins that make my workflow harder. I strive for elegance and efficiency in workflow.
When I first saw the Chris Lord-Alge (CLA) series of plugins from Waves I will admit that my first impression was “oh no, another bunch of plugins made with a fancy analog-hardware-looking interface that will be a pain in the neck to use, or will be a complete CPU resource hog”. But I knew of Chris Lord-Alge’s work, so I thought I would take a look at the product he would be confident enough in to put his name on. I read the Waves CLA vocals product description on the waves site, and then watched a couple of demos of it on YouTube. One of the demos featured Chris Lord-Alge himself, and is really fun to watch as it gives you a glimpse into his sense of humor and how that intertwines itself into his workflow. Take a look for yourself below.
After watching the demo I had to buy the CLA Vocals plugin right away. The interface is ridiculously simple to use. A fader for input level, a fader for output level, and six faders for the six available effects/parameters. From left to right the effects you controll are, bass, treble, compression, reverb, delay, and pitch. The first two control how much bass or treble you are adding or subtracting, compression, reverb, and delay are self explanatory, and pitch is a stereo spreader/doubler, that can give a bit of chorusing effect.
Click to enlarge
One thing Chris Lord-Alge mentions in the video is that even just throwing the plugin on a channel and not changing any of the parameters will do something “good” to the signal. I took a snapshot of the CLA Vocals plugin sitting on a channel with no signal running through it and here is what I found with the iZotope Insight metering. It is definitely throwing some noise in signal path, with some interesting stereo spread. This all at -91.8db, so in reality really quiet, but it is doing something.
Supposedly the plugin is combining a lot of modeling that Waves has done on some of their other plugins for instance:
The EQ is an SSL.
Compression – Spank is said to be an 1176.
Push is an LA2A
Wall is most likely the L1 or L2 limiter.
The real beauty of this plugin, and pretty much all of the CLA’s plugins in the series is that you have to work hard to make things sound bad. Just put it on your vocal channel, go through your six parameters making your adjustments to taste, or start with one of the many great presets. Then make final adjustments to your input and output levels, and you will have a great sounding track every time. The first time I used the plugin it was such an improvement to the track I was working on, and so easy that I almost felt guilty at how little work it took to give a vocal track that final shimmer.
That is why I would highly recommend that any engineer add the Waves CLA Vocals plugin to their toolbox. Make your life easy, and get great sounding vocal tracks at the same time.
If you have experience with the Waves CLA Vocals plugin and would like to share your favorite features please leave a comment below. If you have questions about it please ask in the comment section below and we will try to come up with an answer for you.
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